Melville and the visual arts: An overview / Christopher Sten
Melville's reading in the visual arts / Douglas Robillard
Bulkington, J.M.W. Turner, and "The Lee Shore" / Robert K. Wallace
Melville's temples / Sanford E. Marovitz
"Like bed of asparagus": Melville and architecture / Bryan C. Short
Melville and John Vanderlyn: Ruin and historical fate from "Bartleby" to Israel Potter / Wyn Kelley
The white mountains, Thomas Cole, and "Tartarus": The sublime, the subliminal, and the sublimated / John M.J. Gretchko
Toning down the green: Melville's picturesque / John Bryant.
"Why talk of Jaffa?": Melville's Israel Potter, Baron Gros, Zummo, and the Plague / Hennig Cohen
Daumier's Robert Macaire and Melville's Confidence Man / Helen P. Trimpi
Melville's art: Overtures from the journal of 1856-1857 / Basem L. Ra'ad
Melville and Dutch genre painting / Dennis Berthold
Wrestling with the angel: Melville's use of the visual arts in Timoloen / Douglas Robillard
Classical iconography in the aesthetics of Billy Budd, Sailor / Gail Coffler.
