Masculine singular: French new wave cinema

The Aesthetic Doxa on the new wave

A new generation marked by the emergence of women

Cinephilia in the 1950s

Auteur cinema: an affair of state

Contrasting receptions

The precursors

Between Romanticism and Modernism

Nostalgia for a heroic masculinity

The women of the new wave: between modern and Archaic

Jeanne Moreau: stat of the new wave and icon of modernity

Brigitte Bardot and the new wave: an ambivalent relationship

The independent filmmakers of the left bank: a "feminist" alternative?

The new wave's legacy: "auteur cinema".