The Gorgon and the nightingale: the voice of famale lament and Pindar's twelfth Pythian ode / Charles Segal Music and the maternal voice in Purgatorio XIX / Nancy A. Jones Ophelia's songs in Hamlet: music, madness, and the feminine / Leslie C. Dunn Wordsworth and Romantic voice: the poet's song and the prostitute's cry / Sarah Webster Goodwin "No women are indeed": the boy actor as vocal seductress in late sixteenth- and early seventeenth-century English drama / Linda Phyllis Austern Deriding the voice of Jeannette MacDonald: notes on psychoanalysis and the American film musical / Edward Baron Turk Adorno and the Sirens: tele-phono-graphic bodies / Barbara Engh
The diva doesn't die: George Eliot's Armgart / Rebecca A. Pope
Rewriting Ophelia: fluidity, madness, and voice in Louise Colet's La servante / Janet Beizer
Staring the camera down: direct address and women's voices / Amy Lawrence
The voice of lament: female vocality and performative efficacy in the Finnish-Karelian Itkuvirsi / Elizabeth Tolbert
The lyrical dimensions of spirituality: music, voice, and language in the novels of Toni Morrison / Karla F.C. Holloway
Red hot mammas: Bessie Smith, Sophie Tucker, and the ethnic maternal voice in American popular song / Peter Antelyes
Maternalism and the material girl / Nancy J. Vickers
