Purging the citadel / W. McNeil Lowry How free is too free? / Eric Bentley Who's afraid? / Alan Schneider For whites only? / Douglas Turner Ward On repertory and audiences / Eva Le Gallienne A fruitful union / Tyrone Guthrie The theatre and its trouble / Lee Breuer Puppetry and politics / Peter Schumann The critical instinct / Julius Novick Becoming a playwright / Adrienne Kennedy The Soviet diary / Harold Clurman What is a Shakespeare? / Peter Brook The missing eye / Ross Wetzsteon Verona, Mississippi / Robert Coe The revolution of black theatre / Paul Carter Harrison 50 observations on acting / Charles Ludlam The actor as object of desire / Don Shewey Scenes from a censored life / Athol Fugard Facing the music / Harold Prince Islands in the mainstream / David Henry Hwang Wilson, Danton and me / Richard Thomas Living for design: a fragment of a screenplay / Marjorie Bradley Kellogg Don't call the post-mod squad / Roger Copeland The essential Ming Cho Lee / Mal Gussow The ground on which I stand / August Wilson Subsidized separatism / Robert Brustein August Wilson / A response to Brustein Who needs artists? / Robert MacNeil A modest proposal / Tony Kushner Women's work: white gloves or bare hands? / Tina Howe What myths may come / Naomi Iizuka The immaterial theatre / W. David Hancock Town in a mirror / Don Shewey Gone west / Jon Jory A place at the table / James Magruder Where mystique meets technique / Randy Gener Incident at Awassa / David Schein Art will out / Jaan Whitehead The shape of plays to come / Todd London 36 assumptions about writing plays / José Rivera Whither (or wither) art? / Zelda Fichandler Girls just want to write plays / Diana Son On the road to Palestine / Kia Corthron, Robert O'Hara, Lisa Schlesinger, Betty Shamieh and Naomi Wallace Found in translation / Eisa Davis The follies of Chinese dissident politics / Zhang Xian Is your play a virgin? / Theresa Rebeck
