Listening for Africa: freedom, modernity, and the logic of Black music's African origins

Analyzing the African origins of Negro music and dance in a time of racism, fascism, and war

Listening to Africa in the city, in the laboratory, and on record

Embodying Africa against racial oppression, ignorance, and colonialism

Disalienating movement and sound from the pathologies of freedom and time

Desiring Africa, or Western civilization's discontents

Conclusion: dance-music as rhizome.