Joyce's Ghosts: Ireland, Modernism, and Memory
(eBook)

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Published
The University of Chicago Press, 2015.
Status
Available from Hoopla

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Format
eBook
Language
English
ISBN
9780226236209

Citations

APA Citation, 7th Edition (Style Guide)

Luke Gibbons., & Luke Gibbons|AUTHOR. (2015). Joyce's Ghosts: Ireland, Modernism, and Memory. The University of Chicago Press.

Chicago / Turabian - Author Date Citation, 18th Edition (Style Guide)

Luke Gibbons and Luke Gibbons|AUTHOR. 2015. Joyce's Ghosts: Ireland, Modernism, and Memory. The University of Chicago Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 18th Edition (Style Guide)

Luke Gibbons and Luke Gibbons|AUTHOR. Joyce's Ghosts: Ireland, Modernism, and Memory. The University of Chicago Press, 2015.

UCL Harvard Citation (Style Guide)

Luke Gibbons. and Luke Gibbons|AUTHOR. (2015). Joyce's ghosts: ireland, modernism, and memory. The University of Chicago Press.

MLA Citation, 9th Edition (Style Guide)

Luke Gibbons, and Luke Gibbons|AUTHOR. Joyce's Ghosts: Ireland, Modernism, and Memory. The University of Chicago Press, 2015.

Note: Citations contain only title, author, edition, and publisher. Only UCL Harvard citations contain the year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of May 2025.

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Grouped Work IDec2aa3f2-287a-f90b-6423-9c9b61839fb8-eng
Full titlejoyces ghosts ireland modernism and memory
Authorgibbons luke
Grouping Categorybook
Last Update2026-01-09 01:01:54AM
Last Indexed2026-03-09 12:42:50PM

Book Cover Information

Image Sourcehoopla
First LoadedFeb 13, 2026
Last UsedFeb 13, 2026

Hoopla Extract Information

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    [synopsis] => For decades, James Joyce's modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe's urban centers has led critics to see him almost exclusively as a cosmopolitan figure.

In Joyce's Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce's Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce's stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce's language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the "shout in the street," that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis.

Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce's achievement and its foundations.
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