Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama
(eBook)

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Published
The University of Chicago Press, 2018.
Status
Available from Hoopla

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Format
eBook
Language
English
ISBN
9780226572208

Citations

APA Citation, 7th Edition (Style Guide)

Eleanor Johnson., & Eleanor Johnson|AUTHOR. (2018). Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama. The University of Chicago Press.

Chicago / Turabian - Author Date Citation, 18th Edition (Style Guide)

Eleanor Johnson and Eleanor Johnson|AUTHOR. 2018. Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama. The University of Chicago Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 18th Edition (Style Guide)

Eleanor Johnson and Eleanor Johnson|AUTHOR. Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama. The University of Chicago Press, 2018.

UCL Harvard Citation (Style Guide)

Eleanor Johnson. and Eleanor Johnson|AUTHOR. (2018). Staging contemplation: participatory theology in middle english prose, verse, and drama. The University of Chicago Press.

MLA Citation, 9th Edition (Style Guide)

Eleanor Johnson, and Eleanor Johnson|AUTHOR. Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama. The University of Chicago Press, 2018.

Note: Citations contain only title, author, edition, and publisher. Only UCL Harvard citations contain the year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of May 2025.

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Grouped Work ID96abefd5-b839-935b-f47f-d1040f7b0b69-eng
Full titlestaging contemplation participatory theology in middle english prose verse and drama
Authorjohnson eleanor
Grouping Categorybook
Last Update2026-01-10 01:05:18AM
Last Indexed2026-02-03 15:04:09PM

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Last UsedFeb 6, 2026

Hoopla Extract Information

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    [synopsis] => What does it mean to contemplate? In the Middle Ages, more than merely thinking with intensity, it was a religious practice entailing utter receptiveness to the divine presence. Contemplation is widely considered by scholars today to have been the highest form of devotional prayer, a rarified means of experiencing God practiced only by the most devout of monks, nuns, and mystics.

             Yet, in this groundbreaking new book, Eleanor Johnson argues instead for the pervasiveness and accessibility of contemplative works to medieval audiences. By drawing together ostensibly diverse literary genres-devotional prose, allegorical poetry, cycle dramas, and morality plays-Staging Contemplation paints late Middle English contemplative writing as a broad genre that operated collectively and experientially as much as through radical individual disengagement from the world. Johnson further argues that the contemplative genre played a crucial role in the exploration of the English vernacular as a literary and theological language in the fifteenth century, tracing how these works engaged modes of disfluency-from strained syntax and aberrant grammar, to puns, slang, code-switching, and laughter-to explore the limits, norms, and potential of English as a devotional language. Full of virtuoso close readings, this book demonstrates a sustained interest in how poetic language can foster a participatory experience of likeness to God among lay and devotional audiences alike.
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