The Public World / Syntactically Impermanence is a brilliant consideration of the strategies of poetry, and the similarities between early Zen thought and some American avant-garde writings that counter the "language of determinateness," or conventions of perception. The theme of the essays is poetic language which critiques itself, recognizing its own conceptual formations of private and social, the form or syntax of the language being "syntactically

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A wide-ranging, accessible reference for students of Spanish or Spanish American literature covering fiction, poetry, drama, anonymous classics, and more. In Dictionary of Spanish Literature, Maxim Newmark presents a concise yet informative overview of significant authors and works in Spanish literature, as well as important topics and terminology. Outstanding Spanish literary critics, the major movements, schools, genres, and scholarly journals are...

The lives on view in Nervous Dancer are complex and precarious. Speaking their familial idioms in tones and cadences determined well before they ever appeared in these stories, Carol Lee Lorenzo's characters surge into moments of change for reasons initially not apparent. In the quirky, hard-edged ways in which they stumble, beg, come of age, fall apart, and reunite, they reveal no simple notions about life. The way women and children see men is...

In The Small Heart of Things, Julian Hoffman intimately examines the myriad ways in which connections to the natural world can be deepened through an equality of perception, whether it's a caterpillar carrying its house of leaves, transhumant shepherds ranging high mountain pastures, a quail taking cover on an empty steppe, or a Turkmen family emigrating from Afghanistan to Istanbul. The narrative spans the common-and often contested-ground that supports...

Since the 1990s, there has been unparalleled growth in the literary output from an ever more diverse group of Latina/o writers. The extant criticism, however, has yet to catch up with the diversity of writers we label Latina/o and the range of themes about which they write. Little sustained scholarly attention has been paid, moreover, to the very category--Latina/o--under which we group this literature. Latina/o Literature Unbound, thus, begins with...

In Ota Benga under My Mother's Roof, Carrie Allen McCray (1913–2008) uses poignant and personal verse to trace the ill-fated life of the Congolese pygmy who was famously exhibited in the Bronx Zoo in 1906 before being taken in by the McCray family of Lynchburg, Virginia. Rooted in the rich historical and autobiographic context of her own experiences with Benga, McCray offers compelling, dexterous poems that place Benga's story within the racial...

This collection of pervasive essays not only sheds light onto eighteenth and nineteenth-century American consciousness but also on Lawrence's own perspectives and individuality. He focuses on authors such as Melville, Whitman, and Edgar Allen Poe, creating an engaging exploration of their talents, and at the same time demonstrating his own.

Based on a case study of a particular countryside and town in southern England-namely, the county of Wiltshire and the city of Salisbury-this record seeks to explore the changing nature of English society during the period from 1380 to 1520. It examines the influence of landscape and population on the agriculture of Wiltshire, the regional patterns of arable and pastoral farming, and the growing contrast between the large-scale mixed farming of the...

The authors argue that African American literature did not develop apart from the canonical Western literary traditions but instead grew out of those literatures, even as it adapted and transformed the cultural traditions and religions of Africa and the African diaspora along the way. They trace the interaction between African American writers and the literatures of ancient Greece and Rome, from the time of slavery and its aftermath to the civil rights...

"In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers—Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant—is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating...